Arthur Morris / Birds as Art
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Bulletins and Notes Archive
BIRDS AS ART ON-LINE Bulletin #100 March 4,
2003
NANPA Summit Report
Bosque IPT Report
Canon EOS 10D Digital Camera
IPT Updates
NANPA Infinity Scholarship student
Alexandra LaBine at work
Digital capture with Canon EOS
1Ds 35-350mm lens at 200mm
ISO 250. Evaluative Metering
-1/3: 1/250 sec. at f/5.6 handheld
Image copyright 2003 Arthur
Morris/BIRDS AS ART
When asked why she
was always smiling, Alex would answer, "Because I'm so happy!"
NANPA SUMMIT
REPORT
As usual, I
enjoyed the NANPA Summit (Albuquerque, New Mexico--February 20-23)
immensely. First off, teaching assistant Ellen Anon and I had the
privilege of working for an afternoon and a morning with the NANPA
Infinity Scholarship students, ten of the finest young folks that
you could ever hope to find. Canon generously provided digital
cameras for each of the students, more than $100,000 in loaner
lenses, 6 Mac G4 computers, and skilled rep Michael Nadler to
orchestrate the whole thing. Delkin Devices provided 640 e-film Pro
compact flash cards, and the eco-tourist friendly town of Socorro
laid out the red carpet for the students. Lou Nettlehorst
coordinated the whole thing, assisted in part by Ray Pfortner. The
Super 8 Motel provided complimentary lodging for the entire group.
The Val Verde Steakhouse prepared a great lunch for all, and K-Bob's
more than generously supplied dinner and a meeting room until the
wee hours of the night. These folks deserve your support whenever
you visit Bosque.
On my afternoon with the kids,
there was not much action. At about 5:30 pm, the sun burst through
the clouds in the west, illuminating the black clouds to the east
with golden light. I prayed for birds, but none flew. The sun
disappeared, then reappeared ten minutes later. There were no Snow
Geese in flight. This time I prayed out loud, imploring the powers
that be to send these great kids some birds. Just then, a large
group of geese blasted off to our right. If they flew left, it
would be a dud. They flew right, right in front of the black storm
clouds.
The first
keynote speaker at the Summit, Jim Brandenburg, pretty much blew
everyone away with his somewhat mystical, philosophical, soft-spoken
approach to nature photography and life and his incredibly wonderful
imagery. He was a tough act to follow, but the other keynoters were
also entertaining, especially renowned insect photographer Mark
Moffet whose sense of humor had most folks rolling in the aisles
until the segment of his program that covered the death of a
colleague from the bite of a tiny krait... Joel Sartore's tales of
rotting flesh (his!) confirmed my feelings that photographing for
National Geographic has not been and is not
one of my career goals... After the scholarship student's
program, which brought tears to many eyes (including mine), Nature
Photographer of the Year Gary Braasch put on a memorable program
after the Saturday banquet that surely inspired everyone to put
their images to work for the planet.
I dropped in on many of the breakout sessions and enjoyed most of
them, especially Louis Kemper's Photoshop bit and Jack Jeffrey's
program on photographing Hawaiian birds.
As good as the programs were, the
high points for me--as usual--were the interactions with friends and
IPT participants and colleagues (with many folks fitting into at
least two of those categories). Seeing Darrell Gulin and sharing
tales with him was--as always--a delight; he has been one of my
biggest supporters and I value his friendship immensely. Jim
Brandenburg dropped by the booth on Friday and oohed and aahed
over my Tanzania and Bosque digital images and the quality of the
screen on my Toshiba laptop. After 40 years of using Nikon
equipment, he had me introduce him to the folks at the Canon booth.
He is very interested in the EOS 1Ds... He brought a gift for me, a
limited edition copy of "Chased by the Light." (We had connected
previously when he spoke at the NANPA Summit in San Diego.) He
inscribed it as follows, "To the master, in the name of shared
passions." Talk about being totally blown away... Afterwards, I
came up with the following words that summed up my feelings,
"Exhibitor's Booth at NANPA: $1,150; Toshiba Laptop: $4,400;
thirty minutes with Jim Brandenburg admiring your images,
priceless!"
Snow Geese against
black storm clouds, Bosque Del Apache NWR, NM
Digital
capture with Canon EOS 1Ds, 100-400mm IS Zoom lens at 135mm
ISO 400. Evaluative Metering
-1/3 stop = 1/200 sec. at f/5.6
Image copyright 2003 Arthur
Morris/BIRDS AS ART
My prayers were answered... Ellen
taught me a neat Photo Shop trick in curves to render the sky as
black as it was.
BOSQUE IPT REPORT
While working with the students, I noted that Snow Geese numbers
at Bosque were a fraction of what would be expected in a typical
February and that there was little of the typical flight and
blast-off photography available between 8 am and 5pm. Two weeks
of 80 degree weather in early February drove most of the geese
north far earlier than usual. In spite of the fact that there was
lots to photograph from the car--the IPT group (5) was unusually
small--and the fact that the widgeon photography was phenomenal, I
e-mailed the entire group and offered them a full refund if they
opted to stay home or a $300 discount if they chose to
come. Everybody came, and at least three of the group went home
happy and satisfied.
Sandhill Crane, Bosque Del Apache NWR, NM
Digital capture with Canon EOS 1Ds, 600mm IS lens
and 1.4X II TC.
ISO 100. Evaluative Metering at zero set in
Manual Mode: 1/30 sec. at f/25.
Image copyright 2003 Arthur Morris/BIRDS AS ART
The beauty of doing pan blurs with digital is that
you always know the exact shutter speed... I have learned that for
large in the frame birds, shutter speeds in the 1/30 to 1/60 sec.
range will produce a pleasing amount of subject blur.
One IPT couple was disappointed. In talking with the wife, it
became clear that she was troubled to discover that I photograph
during IPTs. In addition, she felt that I did not point out the
best photographic opportunities at each stop. I was somewhat
puzzled as just that day she had told me that they had found
the previous evening's critiquing session extremely valuable. Her
comments raise two important issues for potential IPT
participants. #1: Although I photograph on all tours, I
am extremely proud of the amount of in-the-field instruction that
I (and Ellen Anon on some tours) provide. And #2: Folks who stick
close to the leader benefit most from the in-the-field
instruction. (The unhappy couple consistently set up more than
100 yards from the group.) You can make all of the people happy
some of the time...
That said, we did have some good pre-dawn blast-offs at the Flight
Deck, and some great flight shooting for departing Sandhill Cranes
at Harry's Crane Pool each morning. The weather was as lousy as
I'd ever seen at Bosque, but despite the continuous gloom and doom
forecasts, we encountered only a ten minute drizzle and, on a
separate occasion, about 7 snow flakes.
Red-tailed Hawk, adult, Bosque Del Apache NWR, NM
Digital capture with Canon EOS 1Ds, 600mm IS lens
and 2X II TC from car window with Kirk Hugger Beanbag
ISO 100. Evaluative Metering -1/3 stop =
1/320 sec. at f/11
Image copyright 2003 Arthur Morris/BIRDS AS ART
There were some great opportunities from the car
at Bosque in February.
CANON EOS 1OD
DIGITAL CAMERA
At the PMA Show in Las Vegas, Canon introduced the EOS 10D digital
camera, an upgrade of the EOS D-60 that is no longer available. I
have not had a chance to field test the 10D, though I look forward
to doing so. My understanding is that the 10D is an improved D-60
with the autofocus system of an Elan 7. (I have written
previously that for birds in flight, especially those flying
towards the camera, that I actually prefer the Elan 7's AF system
to that of either the EOS 3 or the EOS 1v.) The 10D will offer a
6+ megapixel file size as well as the same 1.6X multiplier effect
offered by the D-60. This relatively lightweight digital camera
will offer an inexpensive trip into the world of digital bird
photography and will be a great fit with either the 100-400mm IS
zoom (which becomes a 160-640mm handholdable zoom lens) or the
500mm f/4L IS lens. The latter set-up will offer central-sensor
AF with the 1.4X TC. The 10D is expected to sell for
approximately $1500, well less than the D-60 was selling for. As
the 10D is clearly a far better camera, it offers great
bang for the buck.
For more information, click through on these links:
or
IPT & I-T-F-Workshop
UPDATES
Fort DeSoto Park In-The-Field Workshops:
Monday March 24 and Tuesday March 25, 2003
These In-The-Field Workshops at Fort
DeSoto Park are open to all. You may sign up for one or both days,
each limited to 10 participants.
A 400 mm lens with a 1.4X teleconverter is the minimum
recommended focal length lens for these Workshops. 500 and 600mm
telephoto lenses are ideal. (Pre-dawn to sunset with a two-hour
break after lunch.)
The cost of the In-The-Field
Workshops are $200.00/day. Probable subjects include Laughing
Gulls in full breeding plumage performing various courtship
displays, hundreds of shorebirds including Marbled Godwit, and
various herons and egrets including both the dark and white phases
of Reddish Egret (see the latter at:
http://www.birdsasart.com/bn73.htm)
in spectacular breeding plumage with their bright pink bills and
ultramarine blue lores.
To register for the one or both of
the ITF-Workshops, send a check made out to “Arthur Morris” for
$200/day to Arthur Morris/BIRDS AS ART PO Box 7245 Indian Lake
Estates, FL 33855.
Please be sure to include your preferred date(s), your
home address and phone number, your work number, and most
importantly, your correct e-mail address( if you have one).
Laughing Gull pair, courtship feeding, Fort
DeSoto Park, FL
Canon EOS 1v, Canon EF 500M
F/4 IS lens, 2X II TC.
Fuji Velvia pushed one stop.
Evaluative Metering -1/3 stop = 1/350 sec. at f/8
Panning Ground Pod
Image copyright 2003 Arthur
Morris/BIRDS AS ART
In late March the Laughing Gulls
at DeSoto are strutting their stuff.
For information on the Sarasota
Two-Day How-To
Seminar, "The Art Of Nature Photography; It Ain’t Just Birds!"
(SAT/SUN March 22-23, 2003) click
here:
http://www.birdsasart.com/Sarasota.htm
IPTs.
Do note that BIRDS AS ART/Instructional Photo-Tours are not photo
vacations. If you are looking for a relaxed, informal trip with
luxurious breakfasts, then my trips are not for you. If you want
to get up early, really early at times, work hard all day (but for
the midday break and Instructor Nap Time), enjoy lunch and dinner
with the leader and the group (all the while asking photo-related
questions and looking at images), stay out till dark, and then
enjoy an on-topic, educational slide program until 9:30 or so,
then do consider joining us.
The
St. Augustine Alligator Farm IPT is
wide open. MAY 16-18, 2003. 3-DAY $829 (Limit: 10)
Nesting Great, Cattle, and Snowy Egrets and Tricolored and Little
Blue Herons (rare) at close range at or below eye level. Learn to
use your flash as fill and as main light and how to avoid clutter
in your compositions.
Amazingly, the
Fall 2003 Bosque Del Apache NWR,
NM IPTs
already have four slots filled. NOV 23-25 & NOV 29-DEC 1, 2003. 3-DAY
IPTs: $829 (Limit: 14). Take a $100 discount, sign up for both,
and celebrate Thanksgiving in Socorro with us. Tens of
thousands of geese and ten thousand Sandhill Cranes. Low mountain
scenery. Spectacular light. And, if you are the least bit lucky,
sunrises and sunsets that will bring tears to you eyes. Bosque is
the premier teaching laboratory for those wishing to develop their
creative vision. (At present, I have scheduled only two, rather
than the traditional three Bosque IPTs.)
The first ever
Upper Peninsula of Michigan Fall
Color/Macro/Waterfalls IPT will be co-led by
David Vore of
Flint, MI who knows all the killer spots. 5-day,
10/3/03 to 10/7/03: $1299. Limit 12, openings,
10. Peak color averages to October 4th... Do be aware that there
are no guarantees as to the date of peak color... The
introductory slide program will be at 7:30pm on the night of
October 2. Last year, the color was two weeks late, but in spite
of that, we had an incredible time photographing little bits of
color, some incredible reflections, mushrooms, birch bark,
chipmunks, and moving water. I did not make a single bird
photograph yet came home stoked! Two slots are already filled.
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